The Inevitable Sorrow of Potatoes


It’s been a year now, and as W. H. Auden said, “Poetry makes nothing happen.” That certainly hit me this morning as I realized that you and I have now been with one another for 52 weeks of the “In Time Project.”

Many countered what Auden proclaimed by saying that poetry is created, composed, and meant for “one human heart,” that there is where something can happen. That has been the hope all along for this project, not to combat but to counter 45.

My sister sent this photo below of the mugs that she and her friend use each morning as they have coffee with one another: one has coffee with cream, the other black. A metaphor there? Well, one can say that everything is metaphor. Perhaps this week’s poem is both what it is as well as revealing what these days for all of us are like. There’s the word: “like.”

The Inevitable Sorrow of Potatoes

Half way into the ubiquitous diminishment
that is November our dog and I are here
on the porch. The space heater parting

the cold, keeps parts of us warm.
But this hand holding this pen
feels the chill while a black-capped

chickadee, a downy woodpecker, and
the ever upside down nuthatch cling
to the feeder. In mid-June we turned

over our sun-spotted plot and settled
what would be golden-brown potatoes
into the company of worms and along

the bypass of moles. We believe in
the modesty of potatoes, the humble
spuds that carry the legacy of famine.

There can be no knowing if things can
molder deep, if a blight can singe
the mottled skins: scarring variations

on the darkening silence that too soon
will shorten the dog’s walk into pause
and sniff, a few steps more to another

sniff and then back home. A cardinal
is taking fallen sunflower seeds
back to his mate, head cocked

in the hemlock. One night we surprised
ourselves talking about potatoes, their
stark humility, how they offer to the sanguine

one percent an au gratin choice, to the hungry
a skin with a slap of butter. Last month
we sent our spades into their patch, carved

them out from the summered earth.
Their skins had blackened, marred
by what we could not know was there.

How silly to mourn this. November is Vermeer.
We know the kitchen will take the light, and
the potato soup will comfort, as it always has.

–Jack Ridl

Forthcoming in St. Peter and the Goldfinch (Wayne State University Press)


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